Stephanie Garber’s Caraval is a dazzling fantasy romance that will leave you breathless, but at its heart it’s about sisters. What we do for family. What we do to protect those whom we’ve loved and fought with and adored since birth. What that responsibility for another living soul can do to you and for you.
Over the course of our lives together, my sister and I have switched bedrooms more times than I count, planned and participated in numerous talent shows in which we were the only talent (and mine was debatable), called one another names (we both a keen psychological instinct for hitting the weak spots), held and comforted the other, and hit one another with remotes (okay, that was just me. But she must have deserved it and afterwards she called me a “stupid ass” so we’re even).
The point is: sisters are unlike anything on this earth. On one hand, she is a potential threat to your current happiness with her long memory and access to old Glamour Shot photos, but on the other, she is a living record of how you got to now, and your life-long best friend made flesh. Some of your quirks might really annoy the other (hello!, my sister is chronically late and I’m chronically sensitive) but you. don’t. ever. mess. with. my. sister.
Garber captures this sisterly dynamic in Caraval with the Dragna sisters, both of whom are victims of their father’s abuse and long for escape. Scarlett has been attempting to protect her little sister Tella from their abusive father, the Governor of Trisda, since their mother disappeared. She believes that she’s finally found a permanent way to do it by marrying the Count, a man she’s never met before but who writes kind letters. Her sister sees their escape through Caraval, a magical competition orchestrated by a wizard named Legend. This year, the prize of Caraval is a wish.
Scarlett’s always been drawn to the promise of Caraval’s magic but she resists her sister’s pleas to go there, until the matter is taken out of her hands and then Tella is kidnapped. As a result, Scarlett must navigate through the brilliant, dangerously unpredictable world of Caraval, searching for her beloved sister. As Scarlett attempts to solve the clues, this is what she knows to be true: she must rescue her sister Tella from kidnapping, she must leave Caraval in time to marry the Count, and she must resist Julian, her unreliable guide in Caraval, who seems to have some magic of his own. All the while, Scarlett must remember that she must not “let your eyes or feelings trick you,” and that there are consequences to losing and winning.
Caraval is a book to enjoy in the moment, but it’s also a book to chew over. I find myself even now remembering certain parts of the book with the knowledge that I gained at the end, trying to put it all together and see the story from different points of view. And Scarlett is a character to admire: she pursues her sister through the terror and beauty of Caraval with ingenuity and aplomb.
If you’re looking for an inventive tour de force, an explosion of color and sound, look no further. Admit your ticket to Caraval at the door and unlike Scarlett, don’t worry about allowing yourself to be “swept away.”
Psssst! If you like Caraval, try: the sequels to the trilogy, including Legendary, book 2. Also, try The Hunger Games by Suzanne Collins and the movie Sing (hey, the stakes aren’t as big, but we’re still talking about competition here and what people want versus what they think they should do.) Maybe Erin Morgenstern’s The Night Circus—I read this years ago and think it’s time for a re-read.
Give me that HEA, please.
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